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Kenneth Frampton Tectonics Architecture

Studies in Tectonic Culture | The MIT Press Studies in Tectonic Culture | The MIT Press
Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence ...

Kenneth Frampton Tectonics Architecture

Framptons desire to turn our perceptions to the realities of construction, as well as underscoring the empirical quality of his whole enterprise. The book begins with a general essay, shifts to a pair of historical chapters, then shifts emphasis again for the bulk of the text, which is a set of essays analyzing the work of individual architects, including frank lloyd wright, auguste perret, mies van der rohe and louis kahn, among others, often in tremendous detail. After he speaks of the slender cruciform columns in the pavilion as possessing neither base nor capital.

Please complete this recaptcha to demonstrate that its you making the requests and not a robot. The chapter progresses slowly through a complex argument about the role not only of physical construction as a pure thing in itself, but of topography, of the relationship of buildings to the human body, of ethnography and of our sense of weight and compression (or their absence) in giving buildings their qualities as we perceive them. Please send reports of such problems to studies in tectonic culture the poetics of construction in nineteenth and twentieth century architecture.

Perhaps that should not come as a surprise mr. But the esthetic of greek architecture, too, mr. Frampton, the ware professor of architecture at columbia university, dares to take this doctrine on.

Quite the opposite by saying that the concrete reality of the building is the important thing, mr. Barcelona pavilion into a series of polarities tectonic versus stereotomic, still versus agitated, open versus closed, and above all, perhaps, traditional material versus space endlessness, mr. Early on, he tells us that architecture is as much about place-making and the passage of time as it is about space and form.

He pays particular attention to the work of eugne viollet-le-duc, the french 19th-century architect and theorist whose gothic-inspired work emerged not out of any nostalgic or picturesque view of gothic architecture, but out of a passionate desire to re-create the gothic spirit of construction. The thesis of his studies in tectonic culture is that architecture is about construction. I feel as if i have been waiting for years for a scholar of mr.

Yes, architecture is an idea, as all art is an idea, mr. Having made great claims for this work as a paragon of common sense, fairness dictates that i admit that it is no introduction to architecture, or even necessarily to architectural theory. Frampton is not arguing in favor of a definition of architecture as mundane, or approaching it in any less serious a way than any of the theorists whose work this book implicitly throws into question. Frampton has looked beneath the esthetic surface of buildings in search of deeper meanings, and he continues to do that here. What he did set out to do, i take it, is redress an imbalance that years of indifference to the physical imperatives of construction have left in our thinking about contemporary architecture.


Studies in Tectonic Culture: The Poetics of ... - Amazon.com


... of Construction in Nineteenth and Twentieth Century Architecture [Kenneth Frampton, John Cava] on Amazon.com.

Kenneth Frampton Tectonics Architecture

Bricks and Mortar - The New York Times
Mar 10, 1996 ... Kenneth Frampton has written a stunning book, based on a radical premise for a theorist of modern ...
Kenneth Frampton Tectonics Architecture Barcelona pavilion into a series of polarities tectonic versus stereotomic, still versus agitated, open versus closed, and above all, perhaps, traditional material versus space endlessness, mr. Please send reports of such problems to studies in tectonic culture the poetics of construction in nineteenth and twentieth century architecture. The essays on individual architects are the heart of the book, and in many ways its soul, too, for here the arguments turn to actual buildings, reflecting mr, There is a love of architecture, and a love of civilization, more clearly revealed here than in any of mr. Frampton has looked beneath the esthetic surface of buildings in search of deeper meanings, and he continues to do that here. A section on mies van der rohes legendary barcelona pavilion reveals both the strengths and the weaknesses of these chapters.
  • Studies in Tectonic Culture - Canadian Centre for Architecture


    Frampton then reviews 18th- and 19th-century attitudes toward architectural theory and perception, presenting greek and gothic architecture less as opposites than as the two triumphant streams of tectonic inspiration. What he did set out to do, i take it, is redress an imbalance that years of indifference to the physical imperatives of construction have left in our thinking about contemporary architecture. Barcelona pavilion both technically and phenomenologically, the ontological interaction between support and burden (schopenhauers statze and last) is patently absent. Yes, architecture is an idea, as all art is an idea, mr. This is a digitized version of an article from the timess print archive, before the start of online publication in 1996.

    The real triumph of this book is the way it manages to convince us that within construction there is as rich a world of meaning for architecture as within theory. These chapters are rarely graceful, but they can be extraordinary in their ability to give meaning to buildings through a methodical description and commentary on their physical form. Perhaps that should not come as a surprise mr. Please send reports of such problems to studies in tectonic culture the poetics of construction in nineteenth and twentieth century architecture. Early on, he tells us that architecture is as much about place-making and the passage of time as it is about space and form.

    You agree to receive occasional updates and special offers for the new york timess products and services. In most architectural theory, the physical object of a building is but a vehicle to some less tangible end. That is surely part of the reason that studies in tectonic culture, for all its occasional lugubriousness, is so appealing. A section on mies van der rohes legendary barcelona pavilion reveals both the strengths and the weaknesses of these chapters. After he speaks of the slender cruciform columns in the pavilion as possessing neither base nor capital. Our systems have detected unusual traffic activity from your network. He pays particular attention to the work of eugne viollet-le-duc, the french 19th-century architect and theorist whose gothic-inspired work emerged not out of any nostalgic or picturesque view of gothic architecture, but out of a passionate desire to re-create the gothic spirit of construction. Please complete this recaptcha to demonstrate that its you making the requests and not a robot. To him, the bricks and mortar are the essence of architecture -- the flesh and blood, as it were. I feel as if i have been waiting for years for a scholar of mr.

    Studies in Tectonic Culture. Instructor: Kenneth Frampton. The tectonic suggests itself today as a critical strategy largely ...

    Studies in Tectonic Culture - jstor

    Century Architecture by Kenneth Frampton. MIT Press, 1995. 430 pp., ?39.50. 0- 262-06173-2. THE TECTONIC MAZE.
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    Early on, he tells us that architecture is as much about place-making and the passage of time as it is about space and form. Kahn loved monumentality, and his resonant, deeply spiritual work represented a struggle to express the true nature of building materials and forms (the brick wants to be an arch, he often said). Frampton reminds us, was driven first by construction. Our systems have detected unusual traffic activity from your network. His 1980 book, modern architecture a critical history, argued that modern architecture was as much a struggle for social and political expression as an esthetic statement, and he did not write studies in tectonic culture entirely to repudiate this view Buy now Kenneth Frampton Tectonics Architecture

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    Kenneth frampton has written a stunning book, based on a radical premise for a theorist of modern architecture the notion that buildings are real things. Jstor, the jstor logo, jpass, and ithaka are registered trademarks of ithaka. Having made great claims for this work as a paragon of common sense, fairness dictates that i admit that it is no introduction to architecture, or even necessarily to architectural theory. Frampton reminds us, was driven first by construction. This is a digitized version of an article from the timess print archive, before the start of online publication in 1996.

    Please complete this recaptcha to demonstrate that its you making the requests and not a robot Kenneth Frampton Tectonics Architecture Buy now

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    That is surely part of the reason that studies in tectonic culture, for all its occasional lugubriousness, is so appealing. The opening essay, like the entire book, is well supplied with lengthy quotations and rich in historic reference, including a long section on the origin of the term tectonic, which emerges from the greek tekton, meaning carpenter or builder. The thesis of his studies in tectonic culture is that architecture is about construction. To preserve these articles as they originally appeared, the times does not alter, edit or update them. Perhaps one has to have paid ones dues wallowing in the hermetic and self-referential world of architectural theory to find this book as refreshing as i do Buy Kenneth Frampton Tectonics Architecture at a discount

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    The thesis of his studies in tectonic culture is that architecture is about construction. To him, the bricks and mortar are the essence of architecture -- the flesh and blood, as it were. Having made great claims for this work as a paragon of common sense, fairness dictates that i admit that it is no introduction to architecture, or even necessarily to architectural theory. It is a constructed object first, and let us remember that. Mies, whose exquisite esthetic involves a delicate balance between perception of structure and perception of space, is appropriate for mr.

    The book begins with a general essay, shifts to a pair of historical chapters, then shifts emphasis again for the bulk of the text, which is a set of essays analyzing the work of individual architects, including frank lloyd wright, auguste perret, mies van der rohe and louis kahn, among others, often in tremendous detail Buy Online Kenneth Frampton Tectonics Architecture

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    Framptons method of analysis, but louis kahn is something more an architect whose work seems made for mr. This is a digitized version of an article from the timess print archive, before the start of online publication in 1996. These chapters are rarely graceful, but they can be extraordinary in their ability to give meaning to buildings through a methodical description and commentary on their physical form. Frampton writes, and the complex contradictions within this lyrical early modernist work could not be more cogently expressed. Barcelona pavilion into a series of polarities tectonic versus stereotomic, still versus agitated, open versus closed, and above all, perhaps, traditional material versus space endlessness, mr Buy Kenneth Frampton Tectonics Architecture Online at a discount

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    Frampton is not arguing in favor of a definition of architecture as mundane, or approaching it in any less serious a way than any of the theorists whose work this book implicitly throws into question. Please complete this recaptcha to demonstrate that its you making the requests and not a robot. Framptons desire to turn our perceptions to the realities of construction, as well as underscoring the empirical quality of his whole enterprise. Frampton reminds us, was driven first by construction. Frampton calls everyday experience (and others might call fulfilling functional needs, or protecting us from the rain), buildings can rise to the level of great art.

    The real triumph of this book is the way it manages to convince us that within construction there is as rich a world of meaning for architecture as within theory Kenneth Frampton Tectonics Architecture For Sale

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    Perhaps that should not come as a surprise mr. Yet we fail to understand the magnificence of that contradiction if we begin with the art, with the idea, and ignore the physical reality that gives tangible form to it. Framptons chapter on kahn is not only a high point of this volume, but one of the best critical essays ever written on the architect. The essays on individual architects are the heart of the book, and in many ways its soul, too, for here the arguments turn to actual buildings, reflecting mr. I feel as if i have been waiting for years for a scholar of mr.

    Frampton is saying -- but it is not only an idea, and it is not necessarily an idea first. The opposite of a sentimental revivalist, viollet-le-duc sought a kind of structural rationalism noble architecture built on the realities of construction For Sale Kenneth Frampton Tectonics Architecture

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    After he speaks of the slender cruciform columns in the pavilion as possessing neither base nor capital. Perhaps one has to have paid ones dues wallowing in the hermetic and self-referential world of architectural theory to find this book as refreshing as i do. It is a constructed object first, and let us remember that. This book is, in part, a meditation on the contradiction that underlies all architecture the paradox is that in providing us with what mr. Frampton writes, and the complex contradictions within this lyrical early modernist work could not be more cogently expressed.

    Frampton is saying -- but it is not only an idea, and it is not necessarily an idea first. He believes that the way in which buildings are built -- the materials architects use and the way in which they choose to put them together -- can be a complete, even profound, expression of an architectural idea Sale Kenneth Frampton Tectonics Architecture

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